Painting: Related Content
Eve Vishnick ’23 has always been torn between studying visual arts and more science-related fields. She was attracted to Bennington for two reasons, she said. “Great financial aid and the ability to combine two separate fields without having to double major. I could make it into one thing. That was a big draw for me.”
Assembly (Lorem ipsum), a long term installation by visual arts faculty Mary Lum, will be on view at Mass MoCA this coming May as part of the official opening of Building 6, their newly created gallery space.
Visual arts faculty members Josh Blackwell and Colin Brant showed work in a recent exhibition at the Bennington Museum, Reimagining Grandma Moses.
Jaqueline Kramer '76 installed a selection of paintings inspired by the Syrian refugee crisis. The proceeds went to the International Rescue Committee. For Kramer, who studied painting during her time at Bennington, “This series combines my love of painting with my love of service. I’m very excited to share these paintings with others.”
Faculty member Josh Blackwell '95 will have a solo show at Museum of Arts and Design in New York City this winter from November 15 through February 19, 2017. Neveruses Report Progress is based on "interventions into and upon the form of the plastic bag—a globally ubiquitous symbol of capitalist waste."
Faculty member Josh Blackwell ’95 will have a solo exhibition at the Museum of Arts and Design in New York City this winter.
A new exhibition of the later works of Helen Frankenthaler '49 opened today at the Gagosian Gallery in Beverly Hills. The show, titled Line Into Color, Color Into Line and curated by John Elderfield, includes "works where the painter was exploring the division between drawing and painting." It will run until October 29.
Two groups of paintings by Ann Pibal, faculty member in visual arts, are the subject of a solo exhibition at Lucien Terras Inc. in New York City through January 17.
The international fashion house Proenza Schouler is displaying two of Helen Frankenthaler’s paintings at its flagship location in New York City to acknowledge the artist’s influence on its current collection. The label will donate 15 percent of a week’s sales to the Helen Frankenthaler Foundation’s scholarship fund at Bennington.
An exhibition of new paintings by faculty member Ann Pibal is on view at Steven Zevitas Gallery in Boston through Saturday, May 4, with an opening reception on Friday, April 5.
Visual arts faculty member Ann Pibal’s small-scale paintings are on view in a group exhibition at Sikkenma Jenkins & Co Gallery on West 22nd St., New York.
Bennington faculty member Mary Lum has been awarded a 2010 Guggenheim Fellowship to support her ongoing work in the visual arts.
Faculty member Ann Pibal was one of 30 U.S. artists this month to receive a $20,000 grant from the Louis Comfort Tiffany Foundation.
The entire Bennington community mourns the loss of Kenneth Noland, an internationally celebrated abstract painter and former College trustee, who died on Tuesday, January 5, at 85 years old.
Faculty member Mary Lum received high praise in recent issues of Art in America and Artforum for her solo exhibition Edge Conditions, which was on display at Frederieke Taylor gallery in New York earlier this year.
Faculty member Ann Pibal was one of 25 painters and sculptors to receive a $25,000 grant from the Joan Mitchell Foundation.
Informed by the language of abstraction, Melissa Thorne makes portable and site-specific paintings that use pattern to reference notions of class, feminine subjectivity and social progress. She has exhibited her work internationally.
Elisa Lendvay’s explorations in making form, color and enigmatic objects move between sculpture, painting and drawing. They present interplays among internal vision, observation of nature, and corporality to generate moments of perception, truth, and whimsey. Diverse materials are employed to consider how unlike elements can merge into something other and new. She explores the physicality of making and matter with a sense of play and discovery in the process.
J Blackwell '95's recent works are called Neveruses (never•uses). Neveruses are lumpish, androgynous painting-objects comprised of scavenged plastic bags and colored fibers such as wool yarn and silk thread. These hybrid devices are neither useful nor redundant, although both are implied.
Annette Lawrence’s art transforms raw data into drawings, objects, and installations. Her work is grounded in examining what counts, how it is counted, and who is counting.
Ann Pibal’s widely recognized and highly acclaimed paintings have been exhibited extensively, in the United States, Europe, and Asia.