Visual Arts: Related Content
Anne Thompson, director of Bennington’s Usdan Gallery, was interviewed on KCRW Radio about her public art exhibition, the I-70 Sign Show, which displays works of contemporary art on surplus interstate billboards along 250 miles between St. Louis and Kansas City.
Lydia Musco ’01 installed a concrete outdoor sculpture on August 16 and 17 on the lawn between VAPA and the back of the Barn. Incoming director of Usdan Gallery, Anne Thompson, asked her about the piece in the following Q & A.
They put words in actors’ mouths. They move scenes seamlessly. They design iconic sets. Alums at Netflix develop the shows you can’t help but binge watch—and you likely didn’t know their names or how they do what they do, until now. By Sarah McAbee ’07
A new show at Usdan Gallery opens June 28. Vital Curiosity draws connections with other exhibitions in the region this summer, and marks the arrival of a new director and curator for the gallery.
Hyperallergic covered MASS MoCA's recent expansion, and highlighted work by faculty member Mary Lum, whose installation, Lorem ipsum (Assembly) is currently on view.
The third floor of Commons was the crossroads of intellectual and cultural life of the 20th century: where Helen Frankenthaler '49 and Paul Feeley painted, where Martha Graham danced, where Bob Dylan sang, and where Gunnar Schonbeck made his instruments. Now, it fully reopens for the first time since the 80's and the last time before a complete renovation of the building for a visual and performative arts show.
The artist, curator, urbanist, and facilitator Theaster Gates was in residence at Bennington College in April, speaking to students, faculty, and staff about making place and making change, the two driving forces of his work. The highlight of his time on campus was the Adams–Tillim Lecture, which he delivered on April 25. By Aruna D'Souza
Yoko Inoue has received a grant from the Japan Foundation for an exhibition project, Tea Taste Democracy and Upside Down Objects, at SPACES in Cleveland, Ohio, where she is currently as an artist-in-residence.
Black Spring, an exhibition organized by current students representing past, present, and future black lives at Bennington, will be on view in Usdan Gallery until May 9.
Five local art institutions, including the Bennington Museum, have joined together to promote art awareness and economic development in the Berkshire region.
Currently showing in the President's Gallery are recent works by visual artist and Bennington College 3D Technologist, Michael Stradley. They will be on view through April 2.
The Pennsylvania Academy of the Fine Arts (PAFA) has named Brooke Davis Anderson '84 as the museum's new director.
Novelist, essayist, playwright, queer activist, and Distinguished Professor of the Humanities at the College of Staten Island, Sarah Schulman.
MESH, a new show at Gallery Oldham in Oldham, UK that opens March 11 will feature work by Jon Isherwood.
A dance, music, and theater performance produced by Ruth Bauer Neustadter '66 in celebration of Women’s History Month will take place at the Ceres Gallery in New York City on Wednesday, March 15, at 7:00 pm. The event is free and open to the public.
The Huffington Post published an article highlighting the work and achievements of historically "overlooked" black female artists, which included work by Maren Hassinger '69.
Assembly (Lorem ipsum), a long term installation by visual arts faculty Mary Lum, will be on view at Mass MoCA this coming May as part of the official opening of Building 6, their newly created gallery space.
On Monday, February 20th at 8 pm at The Pershing Square Signature Center in New York City, Bennington College, in association with The 24 Hour Plays, will present The 24 Hour Plays®: A Bennington Tribute to Spencer Cox. This one night–only event will take place at The Romulus Linney Courtyard Theatre and will bring together Bennington College alumni and friends—including Emmy, Golden Globe, Screen Actors Guild, and Obie winners and nominees—to write, cast, rehearse, and present six one-act plays within a 24-hour period. Ticket sales and donations will benefit the Spencer Cox ’90 Scholarship for student activists at Bennington College.
Josh Blackwell: Neveruses Report Progress will be celebrated with a reception and a performance at the Museum of Art and Design in New York City. The show is the first ever installation in the MAD Process Lab.
Faculty member Josh Blackwell '95 is the moderator of Intertwined: A Panel Discussion which will take place at the Institute of Fine Arts in New York City in response to the current exhibit at the James B. Duke House which reexamines what defines a painting.
Through her Fulbright-Nehru Academic and Professional Research award Sue Rees traveled to India this winter, where her research is based at the Kattaikkuttu Sangam.
Art In Print glowingly reviewed Thorsten Dennerline and Michael Dumanis’ “A Cloud In Trousers,” writing that the “clouds, sky, [and] text….create a rich brew that has...everything to do with the roots of poetry.”
Art History, a leading journal in the field, has published an essay by Vanessa Lyon called "A Psalm for King James: Rubens's Peace Embracing Plenty and the Virtues of Female Affection at Whitehall.”
The Digital Stone Project, founded by Jon Isherwood, is “changing the nature of the art” of stone carving.
Artist Cosmo Whyte '05 has been named a finalist for the Hudgens Prize, a $50,000 award for Georgia artists.
Jaqueline Kramer '76 installed a selection of paintings inspired by the Syrian refugee crisis. The proceeds went to the International Rescue Committee. For Kramer, who studied painting during her time at Bennington, “This series combines my love of painting with my love of service. I’m very excited to share these paintings with others.”
Ariel Herwitz ’06, Floryn Honnet ’13, Rainer Hunt ’13, and Georgia Lassner ’09 are the inaugural class of a new residency for young alumni artists that was established at Bennington this year. Funded by a grant from an anonymous donor made in honor of faculty members Barry Bartlett and Jon Isherwood, the program invites recent graduates in sculpture and ceramics to live and work on campus for two- to four-week stints. In “studios” in Usdan Gallery, these four artists have had a chance to dive into their practice mostly uninterrupted, and current students have had the opportunity to interact with them in a variety of ways. Says Jon Isherwood, one of the designers of the residency, “It’s a very exciting moment for us in the Visual Arts to be able to bring back alumni and have them develop new work in the gallery. The premise of the residency has been to encourage experimentation. Complimenting this, the VA faculty have invited our alumni guests to visit classes and meet with students one on one.”
The fruits of the artists’ labors will be on view at Usdan Gallery from November 29 through December 8. They spoke with Aruna D’Souza about their student experiences, their approach to art making, and their experience being back on campus.
The Yellowstone Art Museum (YAM) in Billings, Montana, will exhibit a woodblock print by Mira Darham '19.
Robin Jebavy '04 has been awarded a Mary L. Nohl Fund Fellowship from the Greater Milwaukee Foundation in recognition of her work as an "emerging artist." Her work will be included in an exhibition at the Haggerty Museum of Art next June.