Top news—Faculty: Related Content
Faculty member Josh Blackwell '95 is the moderator of Intertwined: A Panel Discussion which will take place at the Institute of Fine Arts in New York City in response to the current exhibit at the James B. Duke House which reexamines what defines a painting.
Through her Fulbright-Nehru Academic and Professional Research award Sue Rees traveled to India this winter, where her research is based at the Kattaikkuttu Sangam.
Art History, a leading journal in the field, has published an essay by Vanessa Lyon called "A Psalm for King James: Rubens's Peace Embracing Plenty and the Virtues of Female Affection at Whitehall.”
On the eve of the presidential inauguration, a top journal in American anthropology has published a collection of essays, co-edited by Associate Director of the Center for the Advancement of Public Action David Bond, which raises new questions about the rise of Trump and the current state of American politics. The collection features work from leading anthropologists who offer provocative reflections on the culture of Trump and popular misconceptions of class and race today. These wide-ranging essays offer bold new interpretations of solidarity, hate and the future of American democracy.
The Digital Stone Project, founded by Jon Isherwood, is “changing the nature of the art” of stone carving.
Visual arts faculty members Josh Blackwell and Colin Brant showed work in a recent exhibition at the Bennington Museum, Reimagining Grandma Moses.
Poetry faculty Phillip B. Williams and alumna Safiya Sinclair '10 were included in an article on Poets&Writers called "The Shadows of Words: Our Twelfth Annual Look At Debut Poets."
Earlier this week, The Jerusalem Post published an opinion piece by Michael Cohen about Trump and the future of democracy.
Kitty Brazelton’s new song-cycle, The Art of Memory, which she hopes to perform on campus in 2017, is very much a Bennington affair.
Society, Culture, and Thought faculty member Ella Ben Hagai has been selected as a Visiting Scholar at The Center for Right Wing Studies (CRWS) at University of California, Berkeley.
Ariel Herwitz ’06, Floryn Honnet ’13, Rainer Hunt ’13, and Georgia Lassner ’09 are the inaugural class of a new residency for young alumni artists that was established at Bennington this year. Funded by a grant from an anonymous donor made in honor of faculty members Barry Bartlett and Jon Isherwood, the program invites recent graduates in sculpture and ceramics to live and work on campus for two- to four-week stints. In “studios” in Usdan Gallery, these four artists have had a chance to dive into their practice mostly uninterrupted, and current students have had the opportunity to interact with them in a variety of ways. Says Jon Isherwood, one of the designers of the residency, “It’s a very exciting moment for us in the Visual Arts to be able to bring back alumni and have them develop new work in the gallery. The premise of the residency has been to encourage experimentation. Complimenting this, the VA faculty have invited our alumni guests to visit classes and meet with students one on one.”
The fruits of the artists’ labors will be on view at Usdan Gallery from November 29 through December 8. They spoke with Aruna D’Souza about their student experiences, their approach to art making, and their experience being back on campus.
Visiting faculty member Phillip B. Williams has been nominated for an NAACP Image Award for his debut book of poems, Thief In The Interior.
Faculty member Kitty Brazelton is part of a group of American women—four composers and a librettist—whose song cycle on another great American woman, Fierce Grace—Jeannette Rankin, will be performed at the Library of Congress at their invitation in April.
Faculty member Erika Mijlin was quoted in an article called "Sanders claims most 'likes' in congress," which appeared in the Times Argus this week.
In an address to Congress on November 29, Vermont Senator Leahy praised the work of the Arava Institute, of which Michael Cohen is one of the founding faculty members.
In November, Public Seminar, an on-line forum hosted by the New School for Social Research, posted an opinion piece by David Anderegg called "From A Despised Elitist." The forum promotes work that confronts "the pressing issues of the day and fundamental problems of the human condition." In the article, Anderegg discusses the liberal/conservative divide from a psychological perspective.
On November 17, 2016, CounterPunch published a piece by faculty member John Hultgren on "The Working Class, Reconsidered."
Faculty member Josh Blackwell '95 will have a solo show at Museum of Arts and Design in New York City this winter from November 15 through February 19, 2017. Neveruses Report Progress is based on "interventions into and upon the form of the plastic bag—a globally ubiquitous symbol of capitalist waste."
Faculty member Josh Blackwell ’95 will have a solo exhibition at the Museum of Arts and Design in New York City this winter.
Dorset Theater Festival, headed by Artistic Director Dina Janis, was nominated for the first ever Berkshire Theatre Awards. The award ceremony took place on November 13 at Mr. Finn's Cabaret in Pittsfield, Mass and including performances by acclaimed actors such as Debra Jo Rupp.
Thorsten Dennerline will be showing work at the Editions / Artists' Books Fair this week in New York City. His new book, A Cloud in Trousers, written by Vladimir Mayakovsky and translated by Michael Dumanis, will be on display.
In an interview with The New York Times about the upcoming Festival Albertine, Ta-Nehisi Coates mentioned faculty member Maboula Soumahoro's work and called her "really brilliant." Soumahoro will speak at the Festival on Saturday, November 5 at 5:00 PM.
MFA Writer-in-Residence Donald Hall writes a moving essay in the New Yorker in which he meditates on the role the solitude has played throughout his life. Now living alone at age eight-seven, he recalls his wife, Jane, who passed away in 1995. He writes: "In the separation of our double solitude, we each wrote poetry in the morning."
Barbara Alfano published an essay on Elena Ferrante’s La Frantumaglia: A Writer's Journey, in Stanford’s Arcade in response to Claudio Gatti's exposé of Elena Ferrante’s identity.
Benjamin Anastas' acclaimed memoir Too Good to Be True will be available in paperback on October 25.
Visiting faculty member Souleymane Badolo received a 2016 Bessie Award yesterday for Outstanding Production for his piece Yimbégré.
Mark Wunderlich published a new poem in the American Academy of Poets Poem-a-Day called "The Son I'll Never Have." It also appears in the Columbia Daily Tribune.
Michael Dumanis' poem "The Idea of Order" was published in Boston Review earlier this month.
Liz Deschenes was the subject of an article and interview in Art News on her mid-career survey at Institute of Contemporary Art, Boston. She was spoke about thoughts on photography, her plans for the organization of her upcoming ICA exhibit, and the political and artistic influences on her art.
Anthropology faculty member Miroslava Prazak published a new book on female genital cutting, Making the Mark: Gender, Identity, and Genital Cutting, in which she weaves together a rich mosaic of the voices contributing to the debate over this life-altering ritual.