Dance Faculty
Michael Giannitti has extensive professional experience as a lighting designer and educator. He has designed lighting at many of the most prestigious venues around the country and has taught abroad as a two-time Fulbright Specialist Grant recipient.
Levi Gonzalez is a dance artist whose work highlights the porous boundaries between audience and performer, and employs a queer corporeal logic to resist narrow definitions of knowledge and experience.
Pape Ibrahima Ndiaye (Kaolack) was born and raised in Senegal by his grandmother. As a dancer/choreographer, his work is entirely focused on pushing boundaries off space and time, liveness, and fully being in the spaces we inhabit and claim as our own, while making space for spirit to be present.
Mina Nishimura is a Tokyo-born dance artist whose works focus on ever-changing relationships between internal landscapes and external forms. Buddhism-influenced philosophies and butoh-based principles are reflected across her somatic, performance and choreographic practices. Nishimura is a 2019 recipient of Foundation of Contemporary Arts Grants to Artists award.
Dana Reitz, choreographer, dancer, and visual artist, often uses silence as a means to reveal the musical nuance of movement itself. On her own and in her collaborations with lighting artists, she has pioneered the use of light as a physical partner. Her woven movement and light scores—essential, spare, and fleeting—create a continually shifting perception of time and space. She performed her recent solo work, current, meant to “happen in a mutable light stream, somewhere in a current of time” at Roulette Intermedium, Brooklyn, in October 2023.
Susan Sgorbati is a professional mediator and educator whose creative research has led to collaboration across disciplines and borders as both an artist and a driver of social change.
Visiting Faculty
Nicole Daunic '03 is a dancer, Performance Studies scholar and initiator of the post-anthropocentric performance project and collective research platform Another Audience
Ros Warby is an Australian/US dance artist, choreographer, and Alexander Technique Teacher. She is recognized for her unique solo performances, invoking characters that often transcend archetypes by sliding between iconic figures & ideas, allowing the body to embrace the complex experience of a human being at any given moment. Warby has collaborated/danced with Deborah Hay Dance Co. since 1998.
Born in Niigata, Japan, Kota Yamazaki was first introduced to butoh under the teaching of Akira Kasai, then graduated from Bunka Fashion College (Tokyo) with BA in Fashion Design. He is a recipient of Bessie Award 2007, FCA Award 2013, NYFA Fellowship 2016, and Guggenheim Fellowship 2018.
Instructor/Technician
Kumi Ishizawa is a sound engineer/designer.
Martín Lanz is an Interdisciplinary artist and cultural manager with an emphasis on performing arts. He works collaboratively with artists from different disciplines and latitudes, uses tools and information from several territories, and experiments with them to generate pieces, collaborations, artist meetings, and international exchange projects.
Richard MacPike brings his experience working on Broadway shows such as The Lion King and companies like the Santa Fe Opera and Glimmerglass to his work as costume shop manager at Bennington.
Londs Reuter is a dancer and choreographer who makes dances to examine her material—its inheritances, its possibilities, and its eventualities.
Davison Scandrett is a production manager and lighting designer specializing in experimental performance collaborations across dance, architecture, visual art, poetry, music, information science, criticism, theater, and responsive media.