Londs Reuter
Londs Reuter is a dancer and choreographer who makes dances to examine her material—its inheritances, its possibilities, and its eventualities.
Biography
Reuter makes dances to examine her material—its inheritances, its possibilities, and its eventualities. She is the author of Private Inventory: One Way to Be Accountable to Your Material and currently serves as co-editor of Critical Correspondence, a publication of Movement Research.
As a dancer, she has performed in museums for Simone Forti, Assembly Required, and Ceclia Vicuña, in galleries for Abigail Levine, on screens for Sarah AO Rosner and Diana Crum, and on the many illustrious downtown stages of New York for Ursula Eagly, Will Rawls, Perel, Jillian Sweeney, and Katy Pyle/the Ballez. Londs now lives in Durham, North Carolina, where she practices taijichuan at the Black Bamboo Pavilion and has performed in the work of Joanna Kotze and Bill T. Jones.
Her dances have been presented by the American Dance Festival, Danspace Project, the North Carolina Museum of Art, Snug Harbor Cultural Center, and the Center for Performance Research. She has received support from the Mertz Gilmore Foundation, the Robert and Mercedes Eichholz Foundation, and the Snapdragon Fund. Reuter has been in residence at New York Live Arts (Fresh Tracks 2014-2015), MANCC (Forward Dialogues 2019), PLAYA Summer Lake, the Ellis Beauregard Foundation, and Ucross Foundation.
Reuter holds an MA in Disability Studies from the City University of New York and is currently pursuing her MFA at Bennington.